The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Frankenweenie
Tim Burton returns to form with this animated love letter to The Bride of Frankenstein, The Creature from the Black Lagoon, Gremlins,...
The Dark Knight Rises: Pain
“Bruce. Why do we fall down?” Bruce Wayne spends the majority of Christopher Nolan’s Dark Knight Saga flat on his back. After his...
Review: Haywire
Haywire lets Michael Fassbender down. Inglourious Basterds. Hunger. X-Men: First Class. Shame. The man has more than established himself...
Review: The Grey
While the trailers are selling it as something of a horror/action hybrid, The Grey is actually a poetic, contemplative, economically-told...
Review: Anna and the Apocalypse
After watching Rare Exports last weekend, I was in the mood for another offbeat Holiday movie, and Anna and the Apocalypse—a Christmas...
Review: Wes Craven's New Nightmare
The season finale of Telltale’s Walking Dead adventure game showed up on Playstation Network way late in the day. To kill time while my...
Review: After the Storm
I was still feeling a little sick this morning, but I’m a glutton for punishment as well as a cinephile, so I willed myself out of bed,...
Review: Gravity
Gravity is no ordinary movie; it is an experience, in every conceivable sense of the word. Director Alfonso Cuaron’s fluid, free-floating...
Review: Don Jon
For some directors, it takes a few films to ease into a consistent creative voice. Others, including Martin Scorsese (Who’s That Knocking...
Review: The Wolverine
The Wolverine is the best X-Men related film to date, by far. Like The Dark Knight Rises and Skyfall, it finds its central character at...
Review: Pacific Rim
Guillermo del Toro ends the credits of his love letter to monster movies with a dedication to Ray Harryhausen and Ishiro Honda. This...
Review: Django Unchained
With Quentin Tarantino, it’s never about the story. When the maverick director chooses a premise, he leans towards the audacious, the...
Review: Skyfall
We thought we’d seen the full extent of James Bond’s “origin story” back in 2006, when Martin Campbell’s Casino Royale re-imagined the...
Review: The Man with the Iron Fists
No, the title is not a metaphor. In this bombastic kung-fu epic, the Wu-Tang Clan’s RZA (also the co-writer and director) slips on a pair...
Review: Prisoners
Despite what could easily have been a bloated two-and-a-half-hour runtime, Prisoners is a thoroughly captivating dramatic roller coaster...
Review: Elysium
As with District 9, director Neill Blomkamp’s previous effort, I’ve seen several critics accuse Elysium of lacking subtlety. I disagree...
Review: Cloud Atlas
Some movies just stick with you. Some movies are so unique, innovative, experimental, and transcendent that they worm their way into your...
Review: Argo
There’s one scene in Ben Affleck’s The Town that every viewer remembers. Jeremy Renner’s character, a hotheaded street thug, joins...
Review: Looper
Loopers. Assassins hired to kill men “zapped” to them from a not-too-distant future in which technology has made murder virtually...





















