The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

My Five Favorite Movie Villain Deaths of 2022
[The following list contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Way back in 2020, I wrote: I firmly believe that a villain is only...
My Five Favorite Movie Villains of 2022
[The following list contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] De Guiche (Cyrano): A pompous, foppish aristocrat that wields his...
Eternals: The Burden of Purpose
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] I am Loki of Asgard, and I am burdened with glorious purpose....
From Our Nightmares: Candyman (2021)
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] In Bernard Rose’s original Candyman, the eponymous hook-handed...
The Art of Heroic Villainy: Xu Wenwu (Shang-Chi and the Legend of the Ten Rings)
In my Black Widow review, I argued: The villains, sadly, are far less compelling and memorable, existing only as shallow, generic...
The Poetry of Violence: Slaying the Dragon
[WARNING: The following essay contains MAJOR SPOILERS for 13 Assassins, Skyfall, Django Unchained, and Avengers: Endgame.] What defines a...
The Nature of Evil in Disney's Animated Canon
One of the primary thematic questions driving Disney’s recent animated output has been “Where does evil truly reside?” As in real life,...
Doki Doki Literatue Club! and the Art of Taking Advantage of a Storytelling Medium
In light of the recent controversy surrounding the independently-produced visual novel Doki Doki Literature Club!, I decided to do...
The Art of Heroic Villainy
Unlike some Marvel movie fans, I don’t feel that Thor: The Dark World (2013) is a bad film, necessarily. It does, however, suffer from...
Regarding Villains: Orson Krennic (Rogue One: A Star Wars Story)
When The Force Awakens was first released one year ago, I sang its praises, but even I had to admit that the film had, for lack of a...
The Force Awakens: Regarding Villains
In the weeks since the release of The Force Awakens, I’ve observed two distinct and powerful reactions to the film’s central villainous...
Villains That Love Being Bad: Loco, The Great Silence
As played by the incomparable Klaus Kinski, Loco is the definitive Black Hat: cunning as a fox, venomous as a rattlesnake, and dirtier...
Villains That Love Being Bad: Kyubey, Puella Magi Madoka Magica
Can true evil exist in the absence of malice? Can a character really be considered a villain if he is incapable of comprehending morality...
Villains That Love Being Bad: Clarence Boddicker, Robocop
When you get right down to it, the sadistic sociopath (indirectly) responsible for the creation of the metal-headed hero in Paul...
Villains That Love Being Bad: Edward Pierce, The First Great Train Robbery
The dashingly handsome protagonist of Michael Crichton’s 1979 heist movie (played by the always-charismatic Sean Connery) isn’t...
Villains That Love Being Bad: Alex, A Clockwork Orange
Robbery. Rape. Murder. To Alex DeLarge, it all adds up to a day well spent. This common thug with delusions of “culture” loves torturing...
Villains That Love Being Bad: Harry Lime, The Third Man
Played by Orson Welles at his charismatic best, cinema’s most memorable black marketeer manages to charm nearly everyone he...
The Villain Protagonist
When I first learned that a significant number of Shakespeare scholars consider Iago–slimy, scheming, irredeemably evil Iago–the...
Villains That Love Being Bad: Wint and Kidd, Diamonds Are Forever
Of all the henchmen and hired killers buried by suave super-spy James Bond, few are more gleefully sadistic and psychotic than Mister...

