O'GRADY FILM

Apparently, American International Pictures’ The Masque of the Red Death has been available on the Criterion Channel for quite some time,...

In some movies, the setting can be as much of a protagonist as any human character. The Ladykillers, produced by Ealing Studios in 1955, ...

One of the first images in Tsai Ming-Liang’s Goodbye, Dragon Inn is an establishing shot of the Fu-Ho, an old-school cinema in Taiwan. De...

I tend to focus on Japan Society’s film program, but it’s far more than just a cinema; it’s a full-on cultural enrichment center, featuri...

I wouldn’t call Raining in the Mountain King Hu’s most spiritual work, but it is the film in which his Buddhist philosophy is most clearl...

Watched Zappa via Angelika Film Center’s online streaming platform. I’d characterize most of Alex Winter’s previous directorial efforts a...

How can I possibly describe Paranoia Agent? Like much of creator Satoshi Kon’s critically-acclaimed work (Perfect Blue, Paprika, Millenni...

Watched Edo Avant Garde, a fascinating documentary about the innovative byobu (folding screen) art produced during Japan's period of extr...

What is In & of Itself? Well, in the literal sense, it’s the latest film from director and occasional Muppeteer Frank Oz. Before that, it...

Took advantage of my day off from work to check out this year’s online edition of DOC NYC. As expected, the festival is offering a wide v...

This year, I decided to celebrate Halloween with a Hammer Horror double feature. I would have preferred to watch The Curse of Frankenstei...

While large movie theater chains struggle to stay afloat in the midst of the ongoing pandemic, Japan Society has adapted to the age of so...

Reading the first few chapters of Junji Ito’s Tomie put me in the mood for some good, old-fashioned body horror. Fortunately, the Criteri...

I’ve been a huge fan of director Steve McQueen’s (no relation to the star of Bullitt and The Great Escape) minimalistic approach to stagi...

Hopper/Welles is a fascinating time capsule. In footage originally shot circa 1970 for The Other Side of the Wind, an unseen Orson Welles...

Tsai Ming-liang’s Days begins with a title card that reads, “The film is intentionally unsubtitled.” That’s somewhat intimidating, to say...

Last night, I watched The Calming, my first digital screening of this year’s hybrid (part drive-in, part online) edition of the New York ...

Watched Rancho Notorious on the Criterion Channel. This Technicolor-drenched Old Hollywood cowboy picture should represent something of a...

Watched A Colt Is My Passport on the Criterion Channel. Directed by Takashi Nomura, this deliciously pulpy, noir-flavored yakuza thriller...

This year’s online edition of the New York Asian Film Festival has officially commenced! Unfortunately, the streaming service that the or...