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O'GRADY FILM

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Review: Retake

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Japan Cuts frequently programs movies about amateur filmmakers—a...

Review: Mermaid Legend

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] When introducing Japan Cuts’ recent screening of Toshiharu Ikeda’s...

Review: Kubi

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Kubi is a film of deliciously compelling contradictions. A period...

Review: Look Back

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Look Back opens with a shot that seems simple at first glance, but...

Review: The Box Man

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED.] The Box Man is based on a Kobo Abe novel that is—according to my...

Review: Single8

I went into Single8 hoping that it would recapture the magic of It’s a Summer Film!—which remains one of the best movies I’ve ever seen...

Review: The First Slam Dunk

This one was kind of a cheat. The Japan Cuts screening of The First Slam Dunk sold out almost immediately after tickets became available...

Review: I Am What I Am

I Am What I Am is the exact sort of pleasant surprise that defines Japan Cuts for me. The synopsis on the festival website led me to...

Review: Wife of a Spy

Here in the United States, Kiyoshi Kurosawa has acquired a reputation for primarily producing “J-horror,” thanks in large part to the...

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