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Review - Wicked: For Good

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] The existence of Wicked: For Good  may very well be remembered as the most misguided creative decision in the history of cinema—as far as Hollywood blockbusters of the 21st Century are concerned, anyway. Splitting a single adaptation into multiple parts with a year-long delay between the release of each installment is bad enough already (and it’s hardly a recent phenomenon—see Harry Potter and the Deathly

Review - Predator: Badlands

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] The overall quality of the Predator  franchise has always been rather… inconsistent . Although the first film is an undisputed action/horror/sci-fi masterpiece (and if you disagree, kindly keep it to yourself), its high-concept premise only stretches so far, leading to diminishing returns with each subsequent installment (2022’s excellent Prey notwithstanding, despite the clear limitations of its straigh

Review: Ghosts of Mars

In the past, I often made it a point to watch at least one John Carpenter film on Halloween night (though a double feature was always preferable). For various reasons, my commitment to the informal tradition has lapsed over time, but the Criterion Channel’s recent curated retrospective of the certified Master of Horror’s work provided a convenient excuse to return to it. Rather than revisit an old, tried-and-true favorite (e.g., The Thing , They Live ), however, I decided to

Review: Frankenstein (2025)

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] While there is much to savor in Guillermo del Toro’s Frankenstein —the magnificent performances (particularly that of Jacob Elordi, who previously established his horror credentials as Elvis in Sofia Coppola’s Priscilla ); the pragmatically adapted script, which adopts a diptych structure bookended by a framing device to approximate the source material’s convoluted epistolary format; Alexandre Desplat’s s

Review: New Group

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] New Group  is a film about the horrors of conformity. The theme of collectivism gone awry is woven into every image. Symmetrical compositions abound, from sprawling grids of suburban homes to neatly arranged rows of desks. High schoolers bow, march, and chant in meticulously practiced unison, drilled ad nauseam  by tyrannical authority figures. And then, of course, there’s the bluntly literal manifestatio

Little Shop of Horrors: A Karmic Comedy of Terrors

[ The following essay contains SPOILERS; YOU HAVE BEEN WARNED! ] A mad scientist meddles in “God’s domain” and pays the ultimate price. A pair of irresponsible camp counselors neglect the children under their supervision, instead sneaking off for some quick “hanky-panky”—thus incurring the wrath of a vengeful mother. The government ignores every conceivable warning sign and experiments on that strange unidentified object that plummeted from the sky, unleashing cosmic forces b

Review: Clytaemnestra

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] Greek drama is all about inevitability . The classical tragic...

Review: Werckmeister Harmonies

Béla Tarr’s Werckmeister Harmonies  is a musical of sorts. Do not, however, go in expecting any show-stopping song-and-dance routines;...

Review: The Connection

One of the great pleasures of being an insatiably voracious cinephile is venturing off the beaten path of "canonical" classics and...

Review: Cloud

[ The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED! ] Kiyoshi Kurosawa is often described as a “J-horror” director, to...

Review: Kneecap

If you were to plot all self-starring music biopics on a spectrum, with A Hard Day’s Night  (shameless self-mythologizing) on one end and...

Review: Kaiju Guy!

For my final screening of Japan Cuts 2025, I decided to go with the obligatory film about amateur filmmakers—a staple of the festival...

Review: Promised Land

Promised Land  is an appropriate title for Masashi Iijima’s surprisingly mature directorial debut. It is, after all, a film about the...

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