Review: The Vampire Doll

Continued my celebration of the Halloween season with a screening of The Vampire Doll at Metrograph. 



The first entry in director Michio Yamamoto’s so-called Bloodthirsty Trilogy, this recently-rediscovered (and beautifully restored) Toho chiller puts a fascinating spin on the vampire mythos. While it is superficially a work of “J-horror”, it lifts many of its tropes and visuals from American and European genre films: a super-powered deaf-mute manservant, a scientist that dabbles in occult studies, and, of course, an old, Western-style mansion filled with dark, foreboding corridors and creaky floorboards. The resulting narrative is undeniably familiar, yet enriched by the subtextual cultural conflict. I wish I had enough time today to enjoy the other two installments in the series; fortunately, all three movies are readily available on Blu-ray (thanks to the ever-stalwart Arrow Video).


[Originally written October 14, 2018.]

©2018 by O'Grady Film. Proudly created with Wix.com