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O'GRADY FILM

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Review: Monster (2023)

Like Akira Kurosawa’s Rashomon, Hirokazu Kore-eda’s Monster revolves around the theme of conflicting perspectives, adopting a triptych...

Review: The Mad Fox

If Bloody Spear at Mount Fuji was director Tomu Uchida’s homage to the socially conscious period dramas produced by Sadao Yamanaka...

Review: Return of Daimajin

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Recently, I had the pleasure of revisiting Daiei’s Daimajin. In...

Review: The Timekeepers of Eternity

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] With The Timekeepers of Eternity, Aristotelis Maragkos accomplishes...

Review - Yokai Monsters: 100 Monsters

[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] Daiei’s 100 Monsters (currently available on one of the discs in Arrow...

Review: Door

[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] When I first discovered the existence of Banmei Takahashi’s Door earlier...

Review: Nightbreed

[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] Contrary to what the sequels might lead you to believe, Pinhead and his...

Review: The Case of Hana & Alice

[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] There’s an old Japanese proverb that goes, “The nail that sticks...

Review: Violence Voyager

[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] After finally seeing Violence Voyager for myself (having learned of its...

Review: Angel’s Egg

In the 1980s and 1990s, a lot of anime was produced exclusively for the booming home video market. Freed from the more stringent...

Review: The Town That Dreaded Sundown

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] The Town That Dreaded Sundown is essentially two different movies...

Review: One Armed Boxer

[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] When I first watched Master of the Flying Guillotine back in college, I...

Review: The Housemaid (1960)

The Criterion Channel’s synopsis describes The Housemaid as a “venomous melodrama,” and it certainly earns that label; director Kim...

Review: Samurai Wolf

In Samurai Wolf, director Hideo Gosha shaves his already minimalistic chanbara formula all the way down to the bone. Although...

Review: From the End of the World

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] The opening scene of Kaz I Kiriya’s From the End of the World—an...

Review: When Morning Comes, I Feel Empty

In her brief introductory speech preceding Japan Society’s screening of When Morning Comes, I Feel Empty, director Yuho Ishibashi claimed...

Review: Single8

I went into Single8 hoping that it would recapture the magic of It’s a Summer Film!—which remains one of the best movies I’ve ever seen...

Review: I Am What I Am

I Am What I Am is the exact sort of pleasant surprise that defines Japan Cuts for me. The synopsis on the festival website led me to...

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