Review: Monster (2023)
Like Akira Kurosawa’s Rashomon, Hirokazu Kore-eda’s Monster revolves around the theme of conflicting perspectives, adopting a triptych...
The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
Like Akira Kurosawa’s Rashomon, Hirokazu Kore-eda’s Monster revolves around the theme of conflicting perspectives, adopting a triptych...
If Bloody Spear at Mount Fuji was director Tomu Uchida’s homage to the socially conscious period dramas produced by Sadao Yamanaka...
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Recently, I had the pleasure of revisiting Daiei’s Daimajin. In...
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] With The Timekeepers of Eternity, Aristotelis Maragkos accomplishes...
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] Daiei’s 100 Monsters (currently available on one of the discs in Arrow...
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] When I first discovered the existence of Banmei Takahashi’s Door earlier...
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] Contrary to what the sequels might lead you to believe, Pinhead and his...
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] There’s an old Japanese proverb that goes, “The nail that sticks...
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] After finally seeing Violence Voyager for myself (having learned of its...
In the 1980s and 1990s, a lot of anime was produced exclusively for the booming home video market. Freed from the more stringent...
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] The Town That Dreaded Sundown is essentially two different movies...
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] When I first watched Master of the Flying Guillotine back in college, I...
The Criterion Channel’s synopsis describes The Housemaid as a “venomous melodrama,” and it certainly earns that label; director Kim...
In Samurai Wolf, director Hideo Gosha shaves his already minimalistic chanbara formula all the way down to the bone. Although...
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Back in 2020, Beyond the Infinite Two Minutes—Junta Yamaguchi’s...
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] The opening scene of Kaz I Kiriya’s From the End of the World—an...
In her brief introductory speech preceding Japan Society’s screening of When Morning Comes, I Feel Empty, director Yuho Ishibashi claimed...
I went into Single8 hoping that it would recapture the magic of It’s a Summer Film!—which remains one of the best movies I’ve ever seen...
I Am What I Am is the exact sort of pleasant surprise that defines Japan Cuts for me. The synopsis on the festival website led me to...
After taking last year off due to COVID-related concerns, Japan Cuts has finally returned to NYC! Since I’m feeling a bit out of...