The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: No Time to Die
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] From its mournful reprise of Louis Armstrong’s “We Have All the...
Review: The Card Counter
Efficient. If I had to choose a single word to describe Paul Schrader’s directorial style, that would be it: Efficient. In his movies...
Review: It’s a Summer Film! and Go Seppuku Yourselves
Concluded Japan Cuts 2021 with a self-curated double feature: It’s a Summer Film! : This lighthearted ode to the spirit of creativity is...
Review - The Great Yokai War: Guardians
If you still require evidence that Takashi Miike is a certified cinematic genius, look no further than his latest effort, The Great Yokai...
Review: Wife of a Spy
Here in the United States, Kiyoshi Kurosawa has acquired a reputation for primarily producing “J-horror,” thanks in large part to the...
Review - The Pass: Last Days of the Samurai
The jidaigeki genre has become increasingly rare in recent years, even in its native country. Revisionist, postmodern, cynical twists on...
Review: The Suicide Squad
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] The pre-credit sequence of James Gunn’s The Suicide Squad is more...
Review: The Green Knight
Following an appropriately surreal and dreamlike prologue, David Lowery’s The Green Knight opens on a surprisingly mundane note: an image...
Review: Netflix's Fear Street Trilogy
[The following review contains SPOILERS; YOU HAVE BEEN WARNED!] Netflix’s recent three-part adaptation of R. L. Stine's Fear Street novel...
Review: Black Widow
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] After a yearlong absence due to the COVID-19 pandemic, the MCU has...
Review: Ladyhawke
The marketing for Richard Donner’s 1978 adaptation of Superman proudly proclaimed that the film would convince audiences that “a man...
Review: Willy’s Wonderland
In Willy’s Wonderland, Nicolas Cage plays a badass, taciturn janitor forced to spend the night cleaning a Chuck E. Cheese style family...
Review: The Emperor’s Naked Army Marches On
Of all the documentaries comprising Japan Society’s “Cinema as Struggle: The Films of Kazuo Hara & Sachiko Kobayashi” retrospective, few...
Review: The Power of of Kangwon Province
Earlier this week, I watched Hong Sangsoo’s The Power of Kangwon Province via Lincoln Center’s virtual cinema, and while I enjoyed it, I...
Review: The Many Faces of Chika
The Many Faces of Chika—the only scripted drama ever produced by documentarians Kazuo Hara and Sachiko Kobayashi—features a fascinating...
Review - Extreme Private Eros: Love Song 1974
Extreme Private Eros: Love Song 1974 is as difficult to analyze as it is challenging to watch; this deeply personal documentary resides...
Review: Goodbye CP
Watched Goodbye CP, which is currently screening as part of Japan Society’s latest online retrospective—a showcase of the...
Review: Army of the Dead
[The following review contains MINOR SPOILERS! And also a couple of CUSS WORDS! YOU HAVE BEEN WARNED!] Zeus is a zombie king. He is...
Review: The Mitchells vs. the Machines
In recent years, Western theatrical animation has shifted almost entirely to computer-generated imagery, essentially abandoning...





















