The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Talking the Pictures
Masayuki Suo’s Talking the Pictures ends with a quote attributed to director Hiroshi Inagaki: Movies were once silent. But in Japan, they...
Review: Drive My Car
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] The plot of Ryusuke Hamaguchi’s Drive My Car revolves around a...
Ghostbusters: Afterlife - What’s Wrong with a Little Fan Service?
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] A tower of books stacked from floor to ceiling, so perfectly...
Review: Film, the Living Record of our Memory
Recently, I purchased a ticket for Japan Society’s upcoming screening of Tange Sazen and the Pot Worth a Million Ryo, one of only three...
Eternals: The Burden of Purpose
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] I am Loki of Asgard, and I am burdened with glorious purpose....
Review: The Rescue
When you get right down to it, the most memorable documentaries serve the same basic purpose as narrative films: telling stories,...
Dune: Humanity Amidst the Spectacle
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] The Gom Jabbar. The doomed Duke Leto’s courageous defiance in the...
From Our Nightmares: Last Night in Soho
[The following essay contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] In Edgar Wright’s Last Night in Soho, ghosts are real. Skeptics may...
Review: The Last Duel
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Near the end of the first of the three Rashomon-esque chapters that...
From Our Nightmares: Michael Myers, Halloween Kills
[The following essay contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Despite the clear iconography associated with the character, the...
Review: Five Features from Nightstream Film Festival
This weekend, I decided to get into the spirit of the Halloween season by buying a five-movie access pass for Nightstream, a (supposedly)...
Review: No Time to Die
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] From its mournful reprise of Louis Armstrong’s “We Have All the...
From Our Nightmares: Candyman (2021)
[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] In Bernard Rose’s original Candyman, the eponymous hook-handed...
The Art of Heroic Villainy: Xu Wenwu (Shang-Chi and the Legend of the Ten Rings)
In my Black Widow review, I argued: The villains, sadly, are far less compelling and memorable, existing only as shallow, generic...
Bo Burnham: Inside - Existing in a Digital Purgatory
For the majority of its duration, “White Woman’s Instagram”—a song penned by Bo Burnham for Inside, his self-produced Netflix comedy...
Review: The Card Counter
Efficient. If I had to choose a single word to describe Paul Schrader’s directorial style, that would be it: Efficient. In his movies...
Review: It’s a Summer Film! and Go Seppuku Yourselves
Concluded Japan Cuts 2021 with a self-curated double feature: It’s a Summer Film! : This lighthearted ode to the spirit of creativity is...
Review - The Great Yokai War: Guardians
If you still require evidence that Takashi Miike is a certified cinematic genius, look no further than his latest effort, The Great Yokai...
Review: Wife of a Spy
Here in the United States, Kiyoshi Kurosawa has acquired a reputation for primarily producing “J-horror,” thanks in large part to the...





















