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O'GRADY FILM

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Review - Samurai Jack: XCIV

The new season of Samurai Jack continues to impress. The narrative of tonight’s episode was particularly well structured, dividing the...

Review - Samurai Jack: XCIII

Genndy Tartakovsky’s approach to cartoon violence has always tested the limits of what is considered "acceptable" in children’s...

Review - Samurai Jack: XCII

Watched the first episode of the Samurai Jack revival miniseries, and I’m digging the new direction so far. Of course, between Logan,...

Review - Mission: Impossible III

In my mind, Mission: Impossible III exists as a gap between the aesthetic excesses of John Woo’s Hong Kong-flavored Mission: Impossible...

Review: Tully

Saw Tully, the latest effort from frequent collaborators Jason Reitman (director), Diablo Cody (writer), and Charlize Theron (star), and...

On Endings

Between Mass Effect 3 and The Legend of Korra, I’ve found myself reflecting on endings quite a bit recently. What makes a good ending?...

The Importance of Escalation

Stories are driven by conflict. The protagonist wants/needs something—to become a gigolo in New York, to produce the worst show in the...

Review: The Unholy Three

Caught a screening of The Unholy Three at Metrograph. It’s been a while since I sat down and watched a silent movie, and while this is...

Review: Stan & Ollie

Comedy and tragedy are a double act, and few movies in recent memory embody that notion quite as elegantly as Stan & Ollie, the sad story...

Review: 007 Legends

Comfort food. That’s the best way to describe 007 Legends, at least in terms of gameplay. It won’t win any awards for innovation–it...

Review: Doctor No (Novel)

I like Eon’s James Bond films, but I love Ian Fleming’s original novels (except for Live and Let Die, which makes for a profoundly...

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