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O'GRADY FILM

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Review: Skyfall

We thought we’d seen the full extent of James Bond’s “origin story” back in 2006, when Martin Campbell’s Casino Royale re-imagined the...

Review: Prisoners

Despite what could easily have been a bloated two-and-a-half-hour runtime, Prisoners is a thoroughly captivating dramatic roller coaster...

Review: Elysium

As with District 9, director Neill Blomkamp’s previous effort, I’ve seen several critics accuse Elysium of lacking subtlety. I disagree...

Review: Cloud Atlas

Some movies just stick with you. Some movies are so unique, innovative, experimental, and transcendent that they worm their way into your...

Review: Argo

There’s one scene in Ben Affleck’s The Town that every viewer remembers. Jeremy Renner’s character, a hotheaded street thug, joins...

Review: Looper

Loopers. Assassins hired to kill men “zapped” to them from a not-too-distant future in which technology has made murder virtually...

Review: The Breadwinner

Although the current lineup of Best Animated Feature nominees isn’t nearly as impressive as last year’s, I still took time out of my busy...

Review: ParaNorman

Ray Harryhausen, the undisputed king of stop-motion animation, often spoke of himself as an actor; his puppets were merely the medium...

Review: Batman Ninja

After months of procrastination, I finally had the opportunity (thanks to an unexpectedly short workday) to pop in my Blu-ray copy of...

Review: Miami Connection

I am currently subscribed to multiple streaming services that provide access to nearly unlimited movies. Thousands of long unavailable...

Review: Riddick

I went into Pitch Black with zero expectations, and, like many others, was pleasantly surprised to discover a legitimately intelligent,...

Review: The Collection

The Collection has a great ending. Like Jee-woon Kim’s gleefully gritty I Saw the Devil, it pushes the viewer uncomfortably close to the...

Review: Inheritance

Produced earlier in the same year that saw the release of Hara-Kiri–the director’s scathing, blood soaked indictment of the popular,...

Review: Street of Shame

In his final film, director Kenji Mizoguchi makes his most powerful statement on his favorite theme: the suffering of women in Japanese...

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