The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review - Samurai Jack: XCIV
The new season of Samurai Jack continues to impress. The narrative of tonight’s episode was particularly well structured, dividing the...
Review - Samurai Jack: XCIII
Genndy Tartakovsky’s approach to cartoon violence has always tested the limits of what is considered "acceptable" in children’s...
Review - Samurai Jack: XCII
Watched the first episode of the Samurai Jack revival miniseries, and I’m digging the new direction so far. Of course, between Logan,...
Some Notes on Resident Evil: The Final Chapter
The glorious cinematic saga that is Paul W.S. Anderson’s Resident Evil is a definite guilty pleasure, but I currently lack the energy to...
Review - Mission: Impossible III
In my mind, Mission: Impossible III exists as a gap between the aesthetic excesses of John Woo’s Hong Kong-flavored Mission: Impossible...
Shades of Gray: The Legend of Korra
The central conflict of Nickelodeon’s The Legend of Korra has been anything but black-and-white. In “The Revelation,” series antagonist...
Review: Tully
Saw Tully, the latest effort from frequent collaborators Jason Reitman (director), Diablo Cody (writer), and Charlize Theron (star), and...
A Personal Cinematic Journey: An Addendum
Recently, I wrote about the ten movies that have most significantly influenced my cinematic tastes. As you can probably imagine,...
On Endings
Between Mass Effect 3 and The Legend of Korra, I’ve found myself reflecting on endings quite a bit recently. What makes a good ending?...
The Importance of Escalation
Stories are driven by conflict. The protagonist wants/needs something—to become a gigolo in New York, to produce the worst show in the...
Thoughts on Mission: Impossible - Fallout
Mission: Impossible—Fallout is one for the fans. In terms of its plot and tone, it’s a near-perfect synthesis of everything that’s...
An Addendum to My Review of City of the Living Dead
You know, in retrospect, I don’t think my initial review adequately conveys the oppressively bleak atmosphere that pervades City of the...
Review: The Unholy Three
Caught a screening of The Unholy Three at Metrograph. It’s been a while since I sat down and watched a silent movie, and while this is...
Review - Modest Heroes: Ponoc Short Films Theatre, Volume 1
Just got back in from the Fathom Events screening of Modest Heroes: Ponoc Short Films Theatre, Volume 1. Studio-produced animated shorts...
Review: Stan & Ollie
Comedy and tragedy are a double act, and few movies in recent memory embody that notion quite as elegantly as Stan & Ollie, the sad story...
Call of Duty: Black Ops II and the Illusion of Choice
Paragon or Renegade? Deal or Payback? Doug or Carley? Video games like Mass Effect, Grand Theft Auto IV, and Telltale’s The Walking Dead...
Review: 007 Legends
Comfort food. That’s the best way to describe 007 Legends, at least in terms of gameplay. It won’t win any awards for innovation–it...
Review: Doctor No (Novel)
I like Eon’s James Bond films, but I love Ian Fleming’s original novels (except for Live and Let Die, which makes for a profoundly...
Review: Chanoyu (Usagi Yojimbo #93)
Stan Sakai likes to spin multi-layered tales. Several of his Usagi Yojimbo one-shots—“Kaiso,” “Jizo,” “Kite Story”—seamlessly weave...





















