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O'GRADY FILM

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Between the Lines

The other day, I finished reading Usagi Yojimbo vol. 21: The Mother of Mountains. As always, Stan Sakai crafts his tale with superb...

Review: Mysterious Skin

What do a self-destructive male prostitute (Joseph Gordon-Levitt) and a UFO-obsessed community college student (Brady Corbet) have in...

Review: Safe House

I love genre conventions. I really do. Two gunslingers stare each other down, waiting to see who will draw first. An honorable samurai...

Review: Overlord

First thing’s first: despite being produced by J.J. Abrams’ Bad Robot, Overlord is not an entry in the Cloverfield franchise—though there...

Review: Escape Room

When it comes to overproduced studio schlock, my brother and I are connoisseurs. Sure, we enjoy competently-crafted movies, but nothing...

Review: You're Next

You’re Next is a clever, creative, and often quite funny deconstruction of the home invasion horror genre that asks a single, deceptively...

Review: Only God Forgives

Nicolas Winding Refn is one of the most diverse cinematic artists working today. You’d be hard pressed to find two movies as different as...

Review: Zero Dark Thirty

Depiction does not automatically equal endorsement. It’s an easy rule to remember, yet I’ve noticed lately that several critics and...

Review: Kiss Kiss Bang Bang

“Kiss Kiss Bang Bang” isn't merely a title; it's a mission statement. It immediately evokes a vivid image, promising a celebration and/or...

Review: The Artist

“I’ll never talk!” silent film star George Valentin cries (via title card). And right there, in the opening seconds, The Artist tidily...

Review: Fireworks

I feel bad for comparing Fireworks to Your Name, producer Genki Kawamura’s previous animated feature, but it’s almost impossible to...

Review: The World's End

I feel as though I’m not fully prepared to write a proper review of The World’s End. The previous entries in Edgar Wright’s “Three...

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