The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Mikey and Nicky
I should have my head examined for sleeping on Mikey and Nicky for so long; it’s the exact flavor of old school indie cinema that I...
Review: Twisters
Despite its title, Twisters isn’t really about tornadoes. Don’t get me wrong; they serve a vitally important narrative function. They are...
Review: Conquest
Conquest is dark even by the usual standards of the dark fantasy genre. Armies of savage beast-men roam the untamed wilderness,...
Review: Retake
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Japan Cuts frequently programs movies about amateur filmmakers—a...
Review: Mermaid Legend
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] When introducing Japan Cuts’ recent screening of Toshiharu Ikeda’s...
Review: Kubi
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Kubi is a film of deliciously compelling contradictions. A period...
Review: Nezumikozo Jirokichi
Nezumikozo Jirokichi—recently screened as part of Japan Cuts’ Shorts Program 2–managed to hit three major categories on my annual...
Review: Look Back
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Look Back opens with a shot that seems simple at first glance, but...
Review - Shunga: The Lost Japanese Erotica
[The following review contains frank descriptions of sexually explicit material (albeit in a tasteful, artistic context); YOU HAVE BEEN...
Review: The Box Man
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED.] The Box Man is based on a Kobo Abe novel that is—according to my...
Review: a still place
Recently, I’ve noticed that some amateur critics online (particularly on Twitter, but elsewhere, as well) tend to evaluate films as...
Review - Ghost in the Shell 2: Innocence
Despite watching Ghost in the Shell 2: Innocence way back in college (on a borrowed DVD copy that I certainly hope I eventually returned...
Review: The Pied Piper (1986)
Czech filmmaker Jiří Barta’s stop motion adaptation of The Pied Piper is a triumph of style as substance. Every frame is both...
Review: Of Mice and Men
The visual style of the 1939 adaptation of John Steinbeck’s Of Mice and Men is best described as “efficient”—nothing too fancy, but...
Review: ZVP
[The following review contains SPOILERS; YOU HAVE BEEN WARNED.] I somehow missed Junya Okabe’s ZVP when it was originally released on...
Review: The Unknown
The Unknown, an unabashedly lurid silent melodrama from the director of Dracula (the Lugosi version) and Freaks, proves beyond a shadow...
Review - Dragon Ball: The Magic Begins (Ultimate Edition)
[NOTE: For the sake of clarity, this review will refer to relevant characters by the names established in Akira Toriyama’s original...
Review: Inside Out 2
[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!] Inside Out 2 is cute, charming, and—if the enthusiastic response of...
Review: Head
Star vehicles for musicians are hardly a rarity in Hollywood—after all, creatively bankrupt studio executives are perfectly willing to...



















