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O'GRADY FILM

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Review: The Ladykillers

In some movies, the setting can be as much of a protagonist as any human character. The Ladykillers, produced by Ealing Studios in 1955,...

Review: The Quick and the Dead

The films of director Sam Raimi epitomize cinematic mythology. From The Evil Dead (horror) to Spider-Man (superhero), he distills genres...

Hades: The Labor of Sisyphus

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Even if you’re a complete newcomer to the wild world of Greek...

Soul: Finding the Spark

[The following essay contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!] Like nearly all of Pixar’s work, Soul gets pretty goddamn...

Review: Goodbye, Dragon Inn

One of the first images in Tsai Ming-Liang’s Goodbye, Dragon Inn is an establishing shot of the Fu-Ho, an old-school cinema in Taiwan....

Review: Raining in the Mountain

I wouldn’t call Raining in the Mountain King Hu’s most spiritual work, but it is the film in which his Buddhist philosophy is most...

Review: Zappa

Watched Zappa via Angelika Film Center’s online streaming platform. I’d characterize most of Alex Winter’s previous directorial efforts...

Review: Paranoia Agent

How can I possibly describe Paranoia Agent? Like much of creator Satoshi Kon’s critically-acclaimed work (Perfect Blue, Paprika,...

Review: Edo Avant Garde

Watched Edo Avant Garde, a fascinating documentary about the innovative byobu (folding screen) art produced during Japan's period of...

Review: In & of Itself

What is In & of Itself? Well, in the literal sense, it’s the latest film from director and occasional Muppeteer Frank Oz. Before that, it...

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