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O'GRADY FILM

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Review: Lu Over the Wall

Ventured out to The Landmark at 57 West to catch a screening of Lu Over the Wall. This modern-day reinterpretation of The Little Mermaid...

Review: Woyzeck

Watched Woyzek on Fandor, continuing my long-overdue binge of Werner Herzog’s body of work. The director’s five collaborations with actor...

Review: Stroszek

I’ve been meaning to more thoroughly explore Werner Herzog’s eclectic filmography ever since I discovered Aguirre, the Wrath of God back...

Review: Godard Mon Amour

Caught a screening of Godard Mon Amour at The Landmark at 57 West. I’m a great admirer of writer/director Michel Hazanavicius’ talent for...

Review: Boiling Point

After months of putting it off, I finally got around to watching Boiling Point, the second film by “Beat” Takeshi Kitano. While the...

Review: Violent Cop

I’ve decided to take a break from theatrical releases this weekend in order to catch up on my home video consumption. On today’s menu:...

Review: Amiko

Saw Amiko, my third and final Japan Cuts screening. Twenty-year-old(!) director Yoko Yamanaka, who was on hand to introduce the film,...

Review: Zigeunerweisen

Just got back in from my final Japan Cuts screening. This one wasn’t a recent production, but it was making its North American debut in...

Review: Shippu Rondo

The Japan Cuts film festival wraps up this weekend, and today, I attended the penultimate screening of my five-ticket bundle: Shippu...

Review: Haruneko

Saw Haruneko, the the last of the three kinda, sorta cat-themed movies screened at the Japan Cuts festival. The program described it as...

Review: Neko Atsume House

Just got home from Neko Atsume House, the second feature of my Japan Cuts experience. Based on, of all things, a mobile phone app, the...

Review: Alley Cat

Attended my first screening of Japan Cuts, Japan Society’s annual showcase of recent releases from the Land of the Rising Sun. The film...

Review: Justice League

How can I describe Justice League without sounding excessively cynical or bitter? Well, while it’s not nearly as good as Wonder Woman, it...

Review: Dunkirk

From the nonlinear narrative structure of Memento to the playfully unconventional use of intercutting in Inception, Christopher Nolan has...

Review: Baby Driver

From the “rom-zom-com” antics of Shaun of the Dead to the comparatively somber and self-reflective The World’s End, Edgar Wright has...

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