The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Creepy
[ The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED! ] With the possible exception of The Man Who Killed Hitler and Then...
Review: Peeping Tom
[ The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED! ] Michael Powell's Peeping Tom opens with an extreme closeup of an...
Review: Alice, Sweet Alice
While Alice, Sweet Alice (alternatively titled Communion and Holy Terror ) ostensibly takes place in the early 1960s, its themes are...
Review: The Slumber Party Massacre
[ The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED! ] For approximately ninety percent of its ( extremely brief)...
Review: Torso
I’ll say this for Torso : it wastes little time; within the first ten seconds of the opening credits, a woman has already removed her...
Review - Tokyo: The Last War
Like many a follow-up to a bona fide cult classic, Tokyo: The Last War (sequel to Tokyo: The Last Megalopolis ) is widely considered to...
Review: Hit Man
Hit Man features a multitude of compelling themes, meditating on the conflict between public and private personae, the subjective nature...
Review: Master Gardener
Master Gardner opens with the quintessential Paul Schrader image: a character in an otherwise empty room hunched over a writing desk,...
Review: The Substance
[ The following review contains SPOILERS; YOU HAVE BEEN WARNED! ] I’m trying to remove the term “body horror” from my film criticism...
Review: She Is Conann
How to describe She Is Conann ? The film resists literalist readings, eschewing traditional narrative in favor of concocting a...
Review: Lingua Franca
[ The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED! ] Near the conclusion of Isabel Sandoval’s quietly beautiful Lingua...
Review - DAN DA DAN: First Encounter
Prior to seeing DAN DA DAN: First Encounter —a special theatrical premiere event for Science SARU’s latest anime series, presented by...
Review: The Ghost Station
Despite its apparent lack of narrative complexity, it’s difficult to properly classify Yong-ki Jeong’s The Ghost Station . Is it a...
Review: From Beyond
Stuart Gordon’s From Beyond wastes little time. After treating the audience to approximately thirty seconds of Jeffrey Combs turning...
This Is Not a Review of Beetlejuice Beetlejuice
My grandfather was a lifelong musician. In his younger days, his polka band would perform in swanky New York nightclubs such as the...
Cine2Nerdle: My Celluloid Prison
Well, they’ve finally designed a web game that appeals specifically to my interests—and I am thoroughly addicted. Cine2Nerdle is...
Review: The Tempest (1979)
The Tempest epitomizes my favorite flavor of Shakespeare adaptation: lean, revisionist, and minimalistic (a musical number or two...
Review: Disco Elysium
Disco Elysium is a rare and precious gem indeed: a video game that utilizes the language of the medium to its full potential....
Review - Ryuichi Sakamoto: Opus
Ryuichi Sakamoto: Opus is innovative in the elegant simplicity of its style and structure. It’s not a traditional documentary, lacking...





















