“Tokyo Stories”, Japan Society’s special showcase of Japanese movies made by foreigners, has entered its final weekend. Despite my...

[The following review contains minor SPOILERS; you have been warned!] Knives Out is about as far from a conventional murder mystery as...

Frozen 2 is nothing short of miraculous. In many ways, its predecessor became a victim of its own success; after it smashed every...

Sometimes, trauma leaves behind a shadow—a specter that hounds you throughout the rest of your life. Deny it, avoid it, run from it all...

Over a decade before Parasite earned him near universal critical acclaim and made him top contender for Best Foreign Language Film at the...

[The following review contains SPOILERS; you have been warned!] If the poetry of violence is a language in and of itself, then Martin...

For the past three weeks, Film Forum has been running a special program of rare (and, in many cases, never before imported) Japanese...

Many classic “midnight movies” inhabit the gray area between art and schlock, and Glass Eye Pix’s Depraved is no exception; indeed, this...

[Minor SPOILERS below; you have been warned!] Finally caught a screening of Parasite. Like many South Korean movies, this dark comedy is...

Caught a screening of The Lighthouse at Angelika Film Center. Director Robert Eggers’ previous project, The Witch, was elegant in its...

I first became aware of Yoji Yamada back in college, when I discovered his three critically acclaimed revisionist samurai dramas—The...

I hate that I have to begin a review like this, but the discourse surrounding this particular film makes it pretty much unavoidable:...

[The following review contains MAJOR SPOILERS; please proceed with caution!] Takashi Miike has always had a penchant for bending,...

I’ve been meaning to watch Tony Scott’s The Hunger for quite some time now (ever since his untimely death, at the very least), and as...

[Minor SPOILERS below; you have been warned!] The tropes and conventions of that distinctly Japanese flavor of sci-fi/action are fairly...

The best Japanese filmmakers have always exhibited a talent for putting unique spins on familiar storytelling structures. The Zatoichi...

Just got back in from my final screening of Metrograph’s “Shaw Sisters” retrospective: Face to Face, a Chinese/Japanese coproduction that...

Metrograph’s “Shaw Sisters” retrospective—a special program of Shaw Brothers productions helmed by female directors—has entered its final...

In many ways, It: Chapter Two is similar to its central antagonist: a strange, unnerving beast that doesn’t quite have a solid grip on...

Caught another screening in Metrograph’s “Shaw Sisters” retrospective: The Illegal Immigrant, a romantic dramedy about an undocumented...