The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Severance Package (Spider-Man's Tangled Web #4)
Thanks to Comixology, I finally got my hands on issue #4 of Spider-Man’s Tangled Web, a long out of print anthology series that was...
Review - Samurai Jack: XCIV
The new season of Samurai Jack continues to impress. The narrative of tonight’s episode was particularly well structured, dividing the...
Review - Samurai Jack: XCIII
Genndy Tartakovsky’s approach to cartoon violence has always tested the limits of what is considered "acceptable" in children’s...
Review - Samurai Jack: XCII
Watched the first episode of the Samurai Jack revival miniseries, and I’m digging the new direction so far. Of course, between Logan,...
Some Notes on Resident Evil: The Final Chapter
The glorious cinematic saga that is Paul W.S. Anderson’s Resident Evil is a definite guilty pleasure, but I currently lack the energy to...
Review - Mission: Impossible III
In my mind, Mission: Impossible III exists as a gap between the aesthetic excesses of John Woo’s Hong Kong-flavored Mission: Impossible...
Review: Tully
Saw Tully, the latest effort from frequent collaborators Jason Reitman (director), Diablo Cody (writer), and Charlize Theron (star), and...
Thoughts on Mission: Impossible - Fallout
Mission: Impossible—Fallout is one for the fans. In terms of its plot and tone, it’s a near-perfect synthesis of everything that’s...
An Addendum to My Review of City of the Living Dead
You know, in retrospect, I don’t think my initial review adequately conveys the oppressively bleak atmosphere that pervades City of the...
Review: The Unholy Three
Caught a screening of The Unholy Three at Metrograph. It’s been a while since I sat down and watched a silent movie, and while this is...
Review - Modest Heroes: Ponoc Short Films Theatre, Volume 1
Just got back in from the Fathom Events screening of Modest Heroes: Ponoc Short Films Theatre, Volume 1. Studio-produced animated shorts...
Review: Stan & Ollie
Comedy and tragedy are a double act, and few movies in recent memory embody that notion quite as elegantly as Stan & Ollie, the sad story...
Review: 007 Legends
Comfort food. That’s the best way to describe 007 Legends, at least in terms of gameplay. It won’t win any awards for innovation–it...
Review: Doctor No (Novel)
I like Eon’s James Bond films, but I love Ian Fleming’s original novels (except for Live and Let Die, which makes for a profoundly...
Review: Chanoyu (Usagi Yojimbo #93)
Stan Sakai likes to spin multi-layered tales. Several of his Usagi Yojimbo one-shots—“Kaiso,” “Jizo,” “Kite Story”—seamlessly weave...
Review: Mysterious Skin
What do a self-destructive male prostitute (Joseph Gordon-Levitt) and a UFO-obsessed community college student (Brady Corbet) have in...
Review: Safe House
I love genre conventions. I really do. Two gunslingers stare each other down, waiting to see who will draw first. An honorable samurai...
Review: Overlord
First thing’s first: despite being produced by J.J. Abrams’ Bad Robot, Overlord is not an entry in the Cloverfield franchise—though there...
Review: You're Next
You’re Next is a clever, creative, and often quite funny deconstruction of the home invasion horror genre that asks a single, deceptively...





















