The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

Review: Prisoners
Despite what could easily have been a bloated two-and-a-half-hour runtime, Prisoners is a thoroughly captivating dramatic roller coaster...
Review: Elysium
As with District 9, director Neill Blomkamp’s previous effort, I’ve seen several critics accuse Elysium of lacking subtlety. I disagree...
Review: Cloud Atlas
Some movies just stick with you. Some movies are so unique, innovative, experimental, and transcendent that they worm their way into your...
Review: Argo
There’s one scene in Ben Affleck’s The Town that every viewer remembers. Jeremy Renner’s character, a hotheaded street thug, joins...
Review: Looper
Loopers. Assassins hired to kill men “zapped” to them from a not-too-distant future in which technology has made murder virtually...
Review: The Breadwinner
Although the current lineup of Best Animated Feature nominees isn’t nearly as impressive as last year’s, I still took time out of my busy...
Review: ParaNorman
Ray Harryhausen, the undisputed king of stop-motion animation, often spoke of himself as an actor; his puppets were merely the medium...
Review: Batman Ninja
After months of procrastination, I finally had the opportunity (thanks to an unexpectedly short workday) to pop in my Blu-ray copy of...
Review - Suicide Squad: Hell to Pay
I’ve been in love with the concept of the Suicide Squad ever since I saw the “Task Force X” episode of Justice League...
Review - Teen Titans: The Judas Contract
Picked up a copy of Teen Titans: The Judas Contract, DC’s latest direct-to-video animated feature. I have fond memories of watching the...
Review: Miami Connection
I am currently subscribed to multiple streaming services that provide access to nearly unlimited movies. Thousands of long unavailable...
Review - Haikara-san: Here Comes Miss Modern
Went to Village East Cinema to see an anime called Haikara-san: Here Comes Miss Modern. Sappy romances are a definite guilty pleasure of...
Review: Fullmetal Alchemist
Watched Fullmetal Alchemist on Netflix. Despite numerous warning signs (chiefly the fact that it skipped American theaters entirely,...
Review: Riddick
I went into Pitch Black with zero expectations, and, like many others, was pleasantly surprised to discover a legitimately intelligent,...
Review: The Collection
The Collection has a great ending. Like Jee-woon Kim’s gleefully gritty I Saw the Devil, it pushes the viewer uncomfortably close to the...
Review: Black River and The Ballad of Narayama
Black River One of Masaki Kobayashi’s many scathing statements on the sad state of Japan following the American military’s occupation,...
Review: Inheritance
Produced earlier in the same year that saw the release of Hara-Kiri–the director’s scathing, blood soaked indictment of the popular,...
Review: Street of Shame
In his final film, director Kenji Mizoguchi makes his most powerful statement on his favorite theme: the suffering of women in Japanese...
Review: The X From Outer Space
Yesterday, I watched Shochiku’s Goke, Body Snatcher From Hell, a haunting, cynical, and brutally honest examination of human behavior–and...





















