The ramblings of a wannabe cineaste. Join me as I dissect the art of storytelling in films, comics, TV shows, and video games.
O'GRADY FILM

On Endings: An Unexpected Journey
“Does The Hobbit really need to be divided into three films?” It’s a valid question. I’ll admit, I mulled it over more than once. The...
Review: Lincoln
Steven Spielberg is one of our greatest living storytellers. I seem to recall that several critics accused last year’s War Horse of being...
Review: ATM
There were only two reasons I wanted to check out this rather routine-looking slasher flick. First, it costars Josh Peck, best known for...
Review: Wreck-It Ralph
Disney has a talent for spinning existential despair into heartwarming, hilarious adventures; like the company’s best output (Aladdin,...
Upon Reflection: Natural Born Killers
Occasionally, I like the memory of a movie better than the movie itself. The first twenty to thirty minutes of Kaneto Shindo’s The Naked...
Review: Frankenweenie
Tim Burton returns to form with this animated love letter to The Bride of Frankenstein, The Creature from the Black Lagoon, Gremlins,...
The Dark Knight Rises: Pain
“Bruce. Why do we fall down?” Bruce Wayne spends the majority of Christopher Nolan’s Dark Knight Saga flat on his back. After his...
Review: Haywire
Haywire lets Michael Fassbender down. Inglourious Basterds. Hunger. X-Men: First Class. Shame. The man has more than established himself...
Review: The Grey
While the trailers are selling it as something of a horror/action hybrid, The Grey is actually a poetic, contemplative, economically-told...
Review: Anna and the Apocalypse
After watching Rare Exports last weekend, I was in the mood for another offbeat Holiday movie, and Anna and the Apocalypse—a Christmas...
Review: Wes Craven's New Nightmare
The season finale of Telltale’s Walking Dead adventure game showed up on Playstation Network way late in the day. To kill time while my...
Review: After the Storm
I was still feeling a little sick this morning, but I’m a glutton for punishment as well as a cinephile, so I willed myself out of bed,...
Review: Gravity
Gravity is no ordinary movie; it is an experience, in every conceivable sense of the word. Director Alfonso Cuaron’s fluid, free-floating...
Review: Don Jon
For some directors, it takes a few films to ease into a consistent creative voice. Others, including Martin Scorsese (Who’s That Knocking...
Review: The Wolverine
The Wolverine is the best X-Men related film to date, by far. Like The Dark Knight Rises and Skyfall, it finds its central character at...
Review: Pacific Rim
Guillermo del Toro ends the credits of his love letter to monster movies with a dedication to Ray Harryhausen and Ishiro Honda. This...
Review: Django Unchained
With Quentin Tarantino, it’s never about the story. When the maverick director chooses a premise, he leans towards the audacious, the...
Review: Skyfall
We thought we’d seen the full extent of James Bond’s “origin story” back in 2006, when Martin Campbell’s Casino Royale re-imagined the...
Review: The Man with the Iron Fists
No, the title is not a metaphor. In this bombastic kung-fu epic, the Wu-Tang Clan’s RZA (also the co-writer and director) slips on a pair...



















